Nanopublication — Chromesthetic Mapping of A Minor

Context

The color assignments in this work follow the consistent pitch-to-color associations I have documented through repeated empirical testing. A appears as orange-yellow, C as red, and E as yellow — together producing the warm, analogous palette visible in this study. The proximity of these hues reflects the harmonic closeness of the A minor triad within the circle of fifths color logic.

This is a small-format watercolor study, part of my daily practice of translating piano voicings into visual form. The A minor triad, played and heard at the keyboard, becomes the source material for the color choices on paper. No additional colors are introduced beyond what the three pitches dictate.