Nanopublication — Pitch-to-Brightness Register Encoding
Claim 2: Pitch-to-Brightness Register Encoding
I encode pitch register through brightness variation: within each pitch-class color family, lower octaves appear darker while higher octaves appear brighter, translating vertical pitch space into tonal value.
Context
The chromesthetic translation system operates on two axes: pitch class determines hue (following the circle of fifths), while register determines value (lightness/darkness). This dual encoding allows a single color family to represent the same pitch class across multiple octaves while preserving register information.
In this composition, the deep crimson and maroon shapes represent C in lower registers, while brighter red-orange rectangles represent C in higher registers. Similarly, the saturated orange ground and paler cream-yellow areas differentiate register positions within the A and E color families. This brightness gradient creates visual depth that corresponds to the vertical span of the keyboard.
The principle "the lower the pitch, the darker in its color band; the higher, the brighter" ensures that voicing choices—how I spread chord tones across registers at the piano—translate directly into value contrasts in the painting.
References
[1] Arnaud Quercy (2025). A Minor - Research on Harmony - Variations 13 — Catalog raisonné. https://arnaudquercy.art/en/catalogue-raisonne/AQC0929.html
[2] Quercy, A. (2025). A Minor - Research on Harmony - Variations 13 (AQC0929). Synesthetic Explorations collection.
[3] Quercy, A. (2025). Chromesthetic Methodology Foundation Paper. [URL to be added]
Epistemic profile
| Claim type | artistic statement |
|---|---|
| Voice | first person |
| Epistemic status | empirically grounded |
| Methodology | chromesthetic mapping |
| Certainty | high |
Checksum (SHA-256)
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