Nanopublication — Perceptual Divergence

Context

Despite my intention to render G minor [1] through warm red-orange tones, the resulting composition exhibits a marked shift toward violet dominance. This divergence is not merely subjective but quantifiably documented through K-means color analysis. The algorithmic analysis reveals 43.3% violet, 37.4% orange, and only 5.4% red-orange in the final work. This gap between intention and result demonstrates how deuteranopic color perception systematically shapes artistic output, making the perceptual condition itself a documented variable in the creative research process.