AQC0866 | NAN-CTX000001

Nanopublication — Synesthetic Mapping from Piano Practice

G Minor - Research on Harmony - Variation 8

Claim 1: Synesthetic Mapping from Piano Practice

I translate G minor [1] triad voicings from my piano practice into visual composition, mapping G to red-orange, Bb to purple, and D to orange through my circle of fifths color system.

Context

This work emerges directly from my practice at the piano, where I physically explore chord voicings and translate the tactile and auditory experience into visual form. The circle of fifths provides the systematic framework for color assignment, creating a reproducible yet personally embodied translation method.

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References

[1] Arnaud Quercy (2025). G Minor - Research on Harmony - Variation 8 — Catalog raisonné. https://arnaudquercy.art/en/catalogue-raisonne/AQC0866.html

[2] Physical Specifications Nanopub - https://artquamanima.com/en/artworks/2025/01/g-minor-research-on-harmony-variation-8_9l0.html

[3] Paper Standards -https://artquamanima.com/en/artworks/2025/01/g-minor-research-on-harmony-variation-8_9l0.html

Where this work lives

Thematic Elements

chromesthetic mapping G minor chord synesthetic explorations circle of fifths watercolor translation Mozart Symphony 40 Autumn Leaves musical visualization harmonic color theory contemporary synesthesia

Epistemic profile

Claim typeartistic statement
Voicefirst person
Epistemic statusdocumented practice
Methodologysynesthetic translation
Certaintyhigh

Checksum (SHA-256)

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