AQC0700
Nanopublication — Computational Image Analysis - AQC0700
Claim 1: Computational Image Analysis - AQC0700
The artwork D minor - Research on Harmony - Variation 1 (AQC0700) [1] by Arnaud Quercy [2] underwent comprehensive computational analysis [3] on 2026-02-04. Method: k-means clustering with 10 colors extracted. Metrics documented: color distribution, texture analysis, brightness/contrast, spatial patterns.
Context
Analysis performed according to MMIDS-CMP-2025 [6] includes four metric categories: (1) Color distribution via k-means (10 colors), (2) Texture analysis using Haralick features, (3) Brightness and contrast measurements, (4) Spatial pattern characterization. Source image [5]: 2061x2061 pixels. Analysis date: 2026-02-04.
Color Analysis
| Rank | Color | Hex | % | Family | Name |
|---|---|---|---|---|---|
| 1 | B57C22 | 27.7 | orange | darkgoldenrod | |
| 2 | EA916F | 13.2 | orange | darksalmon | |
| 3 | C68F36 | 11.1 | yellow-orange | peru | |
| 4 | E6872A | 10.3 | orange | goldenrod | |
| 5 | DCC592 | 8.9 | yellow-orange | burlywood | |
| 6 | 9F6432 | 8.4 | orange | burnt sienna | |
| 7 | B0703E | 7.1 | orange | burnt sienna | |
| 8 | 653B30 | 6.3 | red-orange | russet | |
| 9 | CAB382 | 6.1 | yellow-orange | tan | |
| 10 | 4C7660 | 0.9 | yellow-green | dimgray | |
| 11 | EFE2AC | 0.3 | yellow | palegoldenrod [Accent] |
Color Families:
| Family | % |
|---|---|
| orange | 66.7 |
| yellow-orange | 26.1 |
| red-orange | 6.3 |
| yellow-green | 0.9 |
| yellow | 0.3 |
Accent Colors:
| Hex | Family | Name | Chroma |
|---|---|---|---|
| EFE2AC | yellow | palegoldenrod | 28.3 |
Texture Analysis
| Metric | Value |
|---|---|
| Global Roughness | 0.123 |
| Mean Local Roughness | 0.007 |
| Roughness Uniformity | 0.02 |
| Edge Density | 0.011 |
| Mean Gradient Magnitude | 0.049 |
| Gradient Variance | 0.029 |
| Gradient Smoothness | 0.0 |
| Directional Coherence | 0.329 |
| Pattern Complexity | 0.1 |
| Pattern Repetition | 1.0 |
| Detail Frequency Ratio | 0.651 |
| Spatial Variation | 0.073 |
| Texture Consistency | 0.334 |
Brightness & Contrast Analysis
| Metric | Value |
|---|---|
| Mean Brightness | 0.562 |
| Brightness Variance | 0.123 |
| Brightness Uniformity | 0.781 |
| Brightness Skewness | -0.345 |
| Brightness Entropy | 6.728 |
| Rms Contrast | 0.123 |
| Michelson Contrast | 0.992 |
| Weber Contrast | 0.406 |
| Mean Local Contrast | 0.007 |
| Contrast Uniformity | 0.0 |
| Dynamic Range | 0.988 |
| Effective Dynamic Range | 0.475 |
| Shadow Percentage | 5.365 |
| Midtone Percentage | 74.591 |
| Highlight Percentage | 20.043 |
| Shadow Clipping | 0.0 |
| Highlight Clipping | 0.0 |
| Tonal Balance | 0.0 |
| Fine Contrast | 0.004 |
| Medium Contrast | 0.009 |
| Coarse Contrast | None |
| Multiscale Contrast Ratio | 1.0 |
| Edge Contrast | 0.049 |
| Contrast Clustering | 0.666 |
Spatial Distribution Analysis
| Metric | Value |
|---|---|
| Spatial Coherence | 0.838 |
| Color Clustering | 0.356 |
| Color Transition Smoothness | 0.867 |
| Transition Uniformity | 0.806 |
| Sharp Transition Ratio | 0.1 |
| Transition Directionality | 0.336 |
| Mean Saturation | 0.649 |
| Saturation Variance | 0.031 |
| Low Saturation Ratio | 0.015 |
| Medium Saturation Ratio | 0.48 |
| High Saturation Ratio | 0.505 |
| Saturation Clustering | 0.999 |
| Hue Concentration | 0.972 |
| Complementary Balance | 0.0 |
| Analogous Dominance | 0.991 |
| Temperature Bias | 0.982 |
Methodology
This analysis employs standardized computational methods for objective image characterization. Color extraction uses k-means clustering algorithm. Texture analysis applies Haralick feature extraction. Brightness metrics include mean, variance, and distribution analysis. Spatial patterns are characterized through coherence and clustering measurements. All methods are deterministic and reproducible. Analysis performed by Multimodal Institute's computational imaging systems.
References
- [1] Quercy, A. (2024). D minor - Research on Harmony - Variation 1 - Catalogue Raisonné. https://arnaudquercy.art/en/catalogue-raisonne/AQC0700.html
- [2] Quercy, A. (2025). ORCID https://orcid.org/0009-0000-2662-7790
- [3] Quercy, A. (2026). MMIDS-CMP-2025: Computational Image Analysis Standard. https://multimodal.institute/en/publications/2025/11/mmids-cmp-2025-computational-image-analysis-standard-dg1.html
- [4] Quercy, A. (2026). Digital Image Documentation - aqc0700_img_full_2061x2061_webp - Nanopub. HTML: https://multimodal.institute/en/nanopubs/2026/02/AQC0700-digital-image-documentation-aqc0700_img_full_2061x2061_webp.html PDF: https://multimodal.institute/en/nanopubs/2026/02/AQC0700-digital-image-documentation-aqc0700_img_full_2061x2061_webp.pdf
- [5] Quercy, A. (2025). Physical Specifications - Nanopub. HTML: https://multimodal.institute/en/nanopubs/2025/11/AQC0700-physical-specifications.html PDF: https://multimodal.institute/en/nanopubs/2025/11/AQC0700-physical-specifications.pdf
- [6] Quercy, A. (2026). MMIDS/2025/CPY - Copyright and Educational Reproduction Standard. https://multimodal.institute/en/publications/2025/11/mmids2025cpy-copyright-and-educational-reproduction-standard-dfx.html
Where this work lives
- Series: D minor
- Collection: Synesthetic Explorations
- Technique: Acrylic
Exhibitions
- Rencontres au Marché de la Création (2024-04-23 → 2024-12-31, Marché de la Création – Paris Montparnasse, Paris)
- Salon d'art contemporain – Metamorphose, Paris (2024-12-26 → 2025-01-05, Halle des Blancs Manteaux, Paris)
- Permanent Collection 2025 – Resonance in Form (2025-01-01 → 2025-12-31, arnaudquercy.art, Paris)
- Paris Studio Visit (2025-02-18 → 2025-02-18, Artist's Studio, Paris)
- Marché d'Art Contemporain – Seine Port (2025-05-17 → 2025-05-17, MAC Seine-Port, Seine-Port)
- Nuit des Artistes, St Germain-en-Laye, France (2025-05-24 → 2025-05-24, La Nuit des Artistes, Saint-Germain-en-Laye)
- Marché de l'Art de Saint-Germain-en-Laye, 17ème édition – France (2025-06-14 → 2025-06-14, Marché de l'Art, Saint-Germain-en-Laye)
- Salon d'art contemporain – Metamorphose 2025–2026, Paris (2025-12-26 → 2026-01-04, Halle des Blancs Manteaux, Paris)
- Art Quam Anima – Pre-opening (2026-01-31 → 2026-02-28, Art Quam Anima, Paris)
- Through the Aperture — Research on Harmony (2026-03-09 → 2026-04-30, Art Quam Anima, Paris)
Other works in this series
- D minor - Research on Harmony
- D Minor - Research on Harmony - Variation 2
- D Minor - Research on Harmony - Variation 3
- D Minor - Research on Harmony - Variation 4
- D Minor - Research on Harmony - Variation 5
- D Minor - Research on Harmony - Variation 6
- D Minor - Research on Harmony - Variation 7
- D Minor - Research on Harmony - Variation 8
- D Minor - Research on Harmony - Variations 9
- D Minor - Research on Harmony - Variations 10
Documented at
- Catalogue Raisonné — D minor - Research on Harmony - Variation 1 — D minor — Research on Harmony — Variation 1 — Arnaud Quercy (2024)
- Gallery — D minor - Research on Harmony - Variation 1
- Nanopublication — D minor - Research on Harmony - Variation 1 — Physical Specifications
- Nanopublication — D minor - Research on Harmony - Variation 1 — Chromesthetic Translation of Bill Evans's "So What" Introduction in D Minor
- Nanopublication — D minor - Research on Harmony - Variation 1 — Digital Image Documentation - aqc0700_img_full_2061x2061_webp
Thematic Elements
Epistemic profile
| Claim type | computational analysis |
|---|---|
| Voice | third person |
| Epistemic status | empirical measurement |
| Methodology | computational analysis |
| Certainty | high |
Checksum (SHA-256)
991d9e15b9fe504049ad287de05b3113209e5a0ef6d237f34f99f7285050491b